A lil Story 'bout a boy in Memphis

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THE BOYS FROM BUCKSNORT

It was Memphis ... 1987 and I am in a shower with a four track Tascam 244.

Four hours of writing lyrics later with the help two great "gitar" players adding their guitar parts ... combined with a couple of fifths of Jack Daniels, various medicinal smoking substances and some white powder when Mountain Man Moon Martin was born w/ yours truly on vocals, drums, bass, and harmonica.

It actually was just a break in between writing serious songs (and demoing them on the TASCAM) for the my 2nd RCA record. Alotta RCA history buried in those lyrics and I gotta say there are a lotta truisms in the story ... going to Hollywood as a youngman blah, blah blah. . Thought the recording was lost forever ... finally found a copy in the closet ... where possibly it should have remained with the empty 5ths of JACK, strange smelling pipe, and well scraped mirror.

Back in '87 tthe song had became a small underground late night "on the way to the bar cassette" that many of my friends hadand over the years has I have dug up more of them thru the net ... there have been more in more inquires.

So all that said ... here is the "TRUE" story (the names have been changed to protect the innocent) of the BOYS FROM BUCKSNORT - featuring MOUNTAIN MAN MOON MARTIN

Find more artists like Ringo Jukes Myspace Music at Myspace Music

Boys from Bucksnort featuring MOUNTAIN MAN MOON MARTIN

The Boys from Bucksnort draw heavily on many different musical styles. The main emphasis is on 20's and 30's music with a touch of 70's, but influences from other eras are in the music as well. Blues, Ragtime, Rockabilly, Boogie, Irish, Folk, Gypsy, Hillbilly -- anything is fair game. But don't let this scare you off, this band rocks! The energy levels of the live shows make it really hard to hold still.

History:

Although the Boys from Bucksnort formed in 1987, the history of the band goes back much further. Drummer Dufus Thomas (famous for the song Walkin the Hog") and guitarist Shakey Sliim Walker along with harmonica player Blow Hardy and bassist Mad "tub" Jones formed The Travelin Snakeheads in 1975. The Band became a staple in the Southern scene with their straight-ahead homemade styles. They opened shows for people like Charley Musslewhite, Little Charley and the Nightcats, and Charles Brown. In 1979, the band felt it had run it's course and disbanded. In the interim, guitarist Shakey Walker began getting interested in Ragtime and it's influence on the Piedmont guitar styles of Blind Blake, Blind Boy Fuller, and Blind Willie McTell through a chance meeting with legendary MOUNTAIN MAN MOON MARTIN ... who they soon added on vocals and spoons. So in 1985, Shakey convinced his former bassist Tub Jones and drummer D Thomas to form The Boys from Bucksnort with MOUNTAIN MAN MOON MARTIN. Although they were skeptical at first, as the style developed, it was obvious they were on to something. The Band also released a cassette in 1980, titled "American Fork Music". They became regulars in the Bucksnort live music scene. They have opened shows for people ranging from Chicago Blues Guitarist Luther Jr. Johnson to the rock bands like Dash Rip Rock. The band released its first CD, in June of 1981 to a lot of anxious fans. The CD received great reviews and radio play all over the world. Their second CD, Too Tight, was released in April of 1984. It also received great reviews and lots of radio play. Since then the band has opened for guitar slingers Johnny Winter and Bugs Henderson and roots bands like The Paladins, Deke Dickerson, Kim Lenz and Her Jaguars, and Southern Culture on the Skids. The current lineup consists of Skakey Walker on Guitar and Vocals, Dufus Thomas on Drums, Shane Stewart on Bass, and just about anybody who happens to drop by the bandhouse. The band's infulences have continued to expand into all sorts of roots music -- from Gypsy, to Celtic, to Hillbilly -- but the band really rocks -- no cookie cutter stuff. The band released their third CD ... finest ingredients, in November of 1986 after MOUNTAIN MAN MOON MARTIN's girlfriend ... Tracy Fords left him for a traveling rock and roll outfit. Heart broken and down in the dumps. Mountain Man headed out ta find Tracy in the glam tattered streets of Los Angeles, taking his guitar and Tascam multi track 244 recorder in tow with him. The result was a collection of pinable tunage intitled the Return of the Boys from Bucksnort. The disc charted in February and March of 1987 on the Freeform American Roots Chart. The band is playing shows regularly in Bucksnort Senior Center, and doing some limited touring in the US.

Tracy Fords in Los Angeles - 1985

QUOTES:

"The Boys from Bucksnort are the coolest band I've heard come through these parts in a long, long time." - Bucksnort Springs Independent

"Every band thinks it's a 'roots' band, but The Boys from Bucksnort have a pedigree even chemical stump-remover couldn't extract." - NASHVILLE SCENE

"The last three times I saw you guys, I got blisters on my feet." - Becky

"In this self-released CD, the band reinterprets these classics for the end of the 20th century, but doing it with respect and affection, and that's good." - Bucksnort Review

"...a full range of great tunes to inspire you." - the Boys from Bucksnort's preacherman

"It works." - Bucksnort Review

"If you haven't forgotten that these good ole boys were meant for good times, this is a band you should check out." - Living Blues

"These three guys hail from Bucksnort, TN, but listening to their record you get the feeling they REALLY live in the back of the old man Jenkin's Barn ." - Smitty Ray Barlow

"They win fans wherever they play by blending old favorites that could appease any crowd with original vibrance that compels the listener with a groove to move. - Rolling Stoned Magazine

"For those of you like me, that really appreciate the roots - I mean the old original versions of old old tunes that really have paved the way for everything in '96, this is an entire album of those great old tunes, by people like Lonnie Johnson, Blind Blake, Blind Boy Fuller, Kokomo Arnold, and others .... The Electric Rag Band - that belongs in your collection." - John Henry -- KMOD's Smokehouse Blues Show

"Slim's vocals are suitably rough and ragged, and his guitar work is solid and sure handed, up-to-date with just a whiff of the old-timey." - John Wooley -- The Memphis Tire & Baitshop

"At last a new, original approach to the Bluegrass ! - Joe Brennen -- the bathroom of the North 40 truckstop

"This is a pleasing eye-opener for those who think blues has to be loud and electric. Recommended. - Chicago Kerry -- The TBC Blue Notes

".. an enthusiastic dive into this project may be educational and rewarding." - Chad Bonham -- John Bonham's high brother

"It's highly academic and fascinating." - Thomas Conner -- some guy who watched "O Brother Where Art thou"

Guitarist Slim Walker in his brother's old platform shoes (1985)

THE BOYS FROM BUCKSNORT featuring MOUNTAIN MAN MOON MARTIN !!!

Written for my local area regarding flooding on the Spring river. For those of you not familiar with my passion for taking care of this wonderful resource in my backyard ... please take some tyme and watch the video following this article

(This article originally appeared in the Spring River Survival guide magazine)

http://www.srsgmag.com/

ON THE RIVER

with RJ Jukes

I was at Cold Springs, down on the Spring River, when I saw my first one.

My son saw it, too.

You may have noticed a few yourself—springing up along the river.

"Dad, what is that?" he inquired, pointing to a strange-looking contraption which had only recently appeared on the old bridge. I looked up at the bizarre apparatus. All I knew was that it had never been here before. Having no idea what to reply, I worked my way out of my son’s question by joking, "Why, that’s an intergalactic communications device placed here by the aliens who live at the bottom of the river. They use it to phone home."
He didn’t buy into it.

In reality, I had no idea what this antenna-bearing, solar panel-wearing, hi-tech thingamajig was. Later that day, crossing the old Cold Springs bridge, I found another one. This time I stopped to read the information on the back. It stated, "USGS," which sounded pretty official to me... so I wasted no time in moving on.
Imagine my surprise when on my way into town yesterday, I was confronted by a temporary one-lane bridge sign and a team of USGS ("men in orange") installing one of these gizmos only a few miles from my house. Politely waving to the crew as I passed by, I took notice of the fact that this looked like quite an operation, with a crane supporting a squad of five men and a team of official-looking trucks on the bridge. I made it up the road about a quarter-mile before wheeling my jeep around.

Okay… I had to know what was going on.
These mystifying mechanisms were getting closer to my home.

That’s when I met Ben Thompson. Fresh out of the University of Arkansas in Fayetteville, on this day Ben had been assigned the job of regulating the one-lane bridge traffic with a two-sided stop sign. It was clear that he would much rather have been assisting the bridge workers installing the whatchamacallits instead of waving that sign around whenever a car passed by. Sitting in the sweltering summer heat with nothing much to do, Ben was more than happy to answer a few questions and dispel my extra-terrestrial theories.

Turns out these space-age Jetson-looking boxes can perform a wide variety of tasks that will benefit the local community, as well as keep the U.S. Geological Survey organization (the USGS) well-informed via a geostationary satellite which orbits the earth ... keeping tabs on every one of these little silver information transmitters.

"Technically it’s called a streamgage," Ben informs me. "Each one is equipped with a computer that monitors river level, rainfall, as well as air and water temperature every fifteen minutes . The computer sends hourly updates to the USGS website which are immediately posted on the site. In addition to the Spring River, the streamgages are installed on the Myatt and South Fork rivers ... all of which empty into the Spring River."

The team vehicles installing a new streamgage

An advanced early warning flood system may be a life-saver the next time the river roars again, as it did in September 2006, when two people near Hardy lost their lives in a flash flood. The Spring River Basin received as much as 12 inches of rain in a short period causing water in Hardy to rise 13 feet in less than 12 hours. Such devices would have been also been invaluable on the Little Missouri River in June 2010, when flood waters rose as swiftly as 8 feet an hour and claimed the lives of 20 people at a popular campground near Glenwood, Arkansas.
Ben introduced me to the project's manager; Dan Wagner, a hydrologist from the Arkansas Water Science Center's Fayetteville field office . "The plan is to have the Upper Spring River Early Flood Warning System complete by October, " he adds, "which would make it possible for locals to access the information via their cell phones and home computers through the USGS website."
Dan also suggests I visit the USGS website for even more details.

Project Manager Dan Wagner, Hydrologist with the USGS installing a new gage

The USGS site describes the agency this way: "An unbiased, multi-disciplinary science organization that focuses on biology, geography, geology, geospatial information, and water, we are dedicated to the timely, relevant, and impartial study of the landscape, our natural resources, and the natural hazards that threaten us." The site also lists real time data from 160 existing streamgages in the state of Arkansas which can be very helpful for anglers, boaters, or others who need to know the water levels at specific waterways in Arkansas. You can visit the site at:
http://ar.water.usgs.gov/

The project actually began a few years back, Dan explains, in the wake of the September 2006 flood, when Hardy Mayor Nina Thornton, Fire Chief Lonnie Phelps and Police Chief Ernie Rose held a meeting with about 60 people in the old Hardy gym. On hand to explain how the system would work and benefit the community were Jaysson Funkhouser, a USGS surface water specialist from Little Rock, National Weather Service warning coordination meteorologist John Robinson of North Little Rock, and NWS hydrologist Steve Bays of Cabot, Arkansas.
"We’d like to see everyone—the canoe rentals [owners], the campsites [owners]—all pitch in together and fund this a little bit," Hardy Police Chief Ernie Rose said at the meeting. He suggested that communities, cities, fire departments and other civil entities canvas the areas involved, asking businesses to commit to helping fund the early warning system.

A new streamgage on the Spring itself

Fire Chief Lonnie Phelps pointed out the benefits of the proposed warning system, comparing it to the system Hardy has adopted in the past decades. "I’ll tell you what you’ve had in the past—you’ve had Ernie and I out watching the river."
"If it saves only one life, it’s worth it," Mayor Thornton said.
Mayor Thornton then applied for and was awarded a $125,000 grant from NOAA (National Oceanic Atmospheric Administration) for an Upper Spring River Early Flood Warning Information System after the floods of September 2006 claimed several lives and floods during March and April of 2008 caused extensive damage in the area. The grant pays for the installation and one year's operation and maintenance of the three new Upper Spring River Early Flood Warning Information System gages in the watershed (South Fork Spring River, Spring River near Mammoth Springs, and Myatt Creek gages ).

It may have taken some time to get the flood warning program up and running, but here on the Myatt bridge, three years later, talking with Dan and Ben, I easily see the advantages this system can bring to the community as well as helping the USGS keep tabs on our precious waterways. The team is nearing the completion of this particular gage while Dan and I chat briefly about the system . Dan is assisted on this project by; two other Hydrologic Technicians in addition to Ben - Ted Wallace and Kane Martin ( Hydrologic Technicians) and Brandon Aist (from the Arkansas Water Science Center in Little Rock a student Hydrologic Technician), and Justin White (another Hydrologic Technician out of the Oklahoma Water Science Center in Tulsa)

Dan continues, "Each streamgage in the warning system is equipped with a powerful computer which, as soon as water reaches dangerous levels, will automatically telephone emergency rescue teams, police chiefs and others whose numbers are programmed into the gage. The way a typical streamflow gaging station works is by measuring gage height (river level), rain, water temperature, and air temperature information which are collected every 15 minutes, transmitted to a geosatellite once every hour, then transmitted back to our processing center in Virginia, eventually making it to our NWIS website (NWIS stands for National Water Information System)."
Then he begins to lose me with a bit more technical information as he explains, "Stream discharge (volume of water flowing down the stream) is added to the data on NWIS from a stage-discharge "rating curve" that USGS maintains. The rating curve is developed by making discharge measurements across a wide range of gage heights, from low gage heights when the stream is a mere trickle to higher gage heights when the stream is at flood. Hydrologic Technicians visit streamflow gaging stations every 8 weeks and sometimes more often to verify that the gage is working properly, reading correctly, and to make discharge measurements."
Wow ... I thought to myself !

I was starting to believe the alien theory myself. This was some serious space age stuff !

The Myatt Streamgage mid installation

"In addition to the streamgage’s invaluable flood warning information," Dan elaborates, "some of the streamgages in the state also record and transmit data regarding the water quality. Whether you drink water from your tap or canoe down your local river, chances are you will benefit in some way from the USGS streamgage information. Once the new program is in place," he tells me, "a public meeting will be held in Hardy . Anyone interested is invited to attend in order to learn more about how the system works ."
Ben remarks, "Perhaps if such a forewarning system had been in place on the Little Missouri River back in June, that terrible disaster could have been avoided."
As I drive away, leaving the team to finish their work, I can’t help but agree. It’s good to know that the City of Hardy, as well as folks along the river, will soon be better prepared for future flash floods due to the efforts of the USGS and the initiative of some of our local officials.
Later while exchanging emails to fine tune this article Dan writes:
There are six real-time streamflow gaging stations are currently operational in our area:
07069190 Mammoth Spring at Mammoth Spring, Arkansas
07069220 Spring River near Mammoth Springs, Arkansas (located at Game and Fish Commission's Cold Springs Access above Dam 3)
07069305 Spring River at Town Branch Bridge at Hardy, Arkansas
07069500 Spring River at Imboden, Arkansas
07069295 South Fork of Spring River at Saddle, Arkansas
070692657 Myatt Creek north of Saddle, Arkansas"
The Spring River at Town Branch Bridge at Hardy streamflow gaging station is the first of four gages in the Upper Spring River Early Flood Warning Information System. The site sends call alerts to the local 911 office, National Weather Service, USGS, City of Hardy Police, and other emergency responders when the gage height (river level) reaches 8.0 ft at the gage. Three of the above-mentioned streamflow gaging stations will be added to the Early Flood Warning Information System, hopefully by the end of October, 2010: Spring River near Mammoth Springs, South Fork of Spring River at Saddle, and Myatt Creek north of Saddle. These sites will have call-out capabilities similar to those at the Spring River at Town Branch Bridge at Hardy station.

In 2006, the city of Hardy only had 20 to 30 minutes to evacuate low-lying areas. However, with the newly-installed Early Flood Warning System in place and operating, that time frame could increase to two to three hours’ evacuation time, allowing everyone to safely move to higher ground.
RJ JUKES

"Water is probably the most important commodity for the nation. It’s one that’s under appreciated but it’s essential for life, as we know. None of us can get by within a day or two without drinking it. And so, knowing how much water is available in our rivers and our streams is critical for the national health. And using our streamgages, we can monitor that flow in rivers and know how much water is available. It’s critically important as we go into the future and uncertain climate, as climate change affects the availability of water in rivers and streams around the country."
- Matthew Larson
~ transcript from "Streamgages: The Silent Superhero" ~

NOW FOR THE OTHERSIDE OF THE COIN ... the following article also appeared in the JULY 28, 2010 Issue of SRSG mag ... it is probably one of the most locally oreinted interviews I have ever done. Special thanx goes out to JODY SHACKLEFORED FOR MAKING THIS HAPPEN !

A lil Story 'bout a boy in Memphis

Posted by rj jukes on Friday, October 15, 2010

Hustle & Flow in the Streets of Memphis

Hey ... ain't that the cat I jammed with hangin' with Taryn ? I recently found out she and her brother's band cut their demo on a PS 2 game called MUSIC MAKER. No Shit !

MEMPHIS

Memphis not Egypt

The one Stateside.

The one internationally known as a mecca for musicians as far as I am concerned, since most of the cash I have survived on throughout my days as a drummer, as flowed through the streets and jukes of Memphis.

NOTE: Please remember I played drums in college. I worried 'bout marching and I didn't not pay much attention in English 101 although the teacher was damn cool. Steve Ebe can tell ya all about it.

Sorry for the typos.

Hopefully 'nuff said.

Just like it has for over a hundred years, the place has served has a refuge for the musicians from Mississippi, Tennessee, and Arkansas, who have been entering the city gates or crossin' those bridges for their own different reasons.

Some to perhaps catch a riverboat down to New Orleans or up to St Louis ... some to record at the legendary SUN studios and make a record for "they Mommas" ... or perhaps just seek gainful employment in the old tyme music industry. Which they couldn't find in the rural towns they grew up in.

"Rock n Roll Money"

"Cuz the Blues had a baby and they called it Rock n Roll"

Crossin' the Mighty Mississippi into Memphis Town

Yes, the jobs have flown from Memphis like the river itself.

The gig maybe a blues jam at the now gone Poor Reds or a heavy fly date to play behind the likes of Issac Hayes, Tanya Tucker, Wynonna or my fav the time I even got to fly to NYC once to do Cool Hand Luke's drum roll entrance !

So I think ya get the pic ?

Memphis has been good to me musically but, like every major city it has had it's share of pitfalls.

Some which have left me crawling back out of the streets of South Memphis penniless and in between jobs that were high profile and paid enough to write home and tell Momma. Leaving me with enough cash to get cars and serious drums and well ... just fun stuff !

But no regrets.

I often returned from the underbelly of the city with more soul than any white man should be allowed to carry in his drumstick bag at one time.

And the good times.

Well they're just good.

Very good.

I would like to add that out of all the pro and con gigs I have worked in that town, for instance; things like the Memphis Blues Ball, some high profile political events, or major shows at the Omni New Daisy on Beale right before rushing over to help out John at the Overton Park Shell.

or let me see ...

Jammin' on percussion with my ole pals SON OF SLAM and keeping asses in seats at that lil' Irish pub MURPHY's, where I finally was exposed to the presence of Timothy Leary in person.

One night we all kept the crowd for two more MURPHYS' encores after we had done three, while I passed out my percussion instruments to the crowd and encouraged them to damn well join in. They rocked !

But the best is sometimes free.

The best gig, as in the one I always enjoyed the most, is the one right there at Beale Street's Handy Park. Man you can feel the funk "slithering" outta the ground from the footsteps of the likes of Robert Johnson, Howling Wolf, Tommy Johnson, Sam Carr, and of 'course WC HANDY.

The immortal WC Handy watches over the park. Some local legends have it that he left Memphis for NYC in disgust after an incident which involved the rolling of a black man's severed head down the middle of Beale Street.

I can remember many a warm summer day when I got offa tour bus and threw on some raggdy ass clothes, dug out the most broke down looking snare and bass drum I had and headed down in to HANDY PARK to play for tips and tips alone.

There the music is truly adored.

Be it by the tourists from all over the world yearning for one of the few spots on the park benches or the local street folk, who are holding down the those benches. But they will gladly slide over for few of a drinks of a tasty libation or in some case just to share the music with the newcomers.

Now this gig is strictly for tips.

The old pickle jar in front of the stage with the likes of the late great bass man BIG T barking over the mic, "come up here and put a dollar in the tip bucket and tell us where your from." or my personal favorite, " If you put a $100 in there you will have good luck the rest of your life, but I will have good luck TONIGHT !"

MISS YA T !

Yes sir folks been gathering on Beale for a long time

You know I have seen many a good, possibly gonna be a great player, get lost in all the biz and shuffle that comes with this industry and when that happens to me (cuz I sure as hell ain't no exception to the rule) I tend to "mosey" on down to the park to get in touch with the real reason I am playing in the first place.

The love of the music.

Course, there were days there when you could make an easy living just outta that bucket and there were some days which completely sucked and we were barely lucky to get hamburger money or change for a forty.

I found more often than not the enjoyment came straight from just sittin' with folks and passing the bottle while tellin' tales of what's went down in the park over the years. The old timers are becoming few and far between , but a few still remain.

You never know what your rewards might be for tips as well !

Hell ... I remember this one time when I was playing behind Blues extraordinaire Jimmy Wolfe that I was tipped in a very unorthodox, yet thoughtful manner that involved ... well ... use your imagination and think about the scene in HUSTLE & FLOW where they are haggling over the microphone in the store.

There's more than one form of currency in the streets of Memphis. It's always been that way and probably always will.

BTW: Check out Jimmy Wolfe's site. He is on my friends list. He is an awesome guitarist and one of the main cats I worked the park with on many a sultry day.

But enough ads

Memphis, if ya catch my drift man is just plain cool. Funky and a hugh part of America's musical history that we should be damn proud of !

But like any positive thing there is always a negative side and in the words of one of my favorite writers:

Hunter S Thompson

The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side.

The Dark End of the Memphis Streets

Check out the Rock City Angel's version of "Dark end of the Street" to be released in 2006

Like many a career musician I have had to go through some personal lil' demons (read suits) that although I have kept them at bay most of my life, I know they are forever and always ready to sprout again under the light of a blue moon.

Memphis is of all the places I have been ... the place that has taught me how to keep those dragons at bay and I recommend a nice lil' stay in the Bluff City for any aspiring young musician to your ROAD FEET wet before going out into this real business of music.

I learned the ropes in that town early. Having spent time in both extremes of what the town has to offer.

From jet setting it at the South's grand PEABODY HOTEL (where my SONOR drums kept a room for a month or so) to crashing three months on the floor of a Memphis whorehouse, while spending days hanging with my stripper friends and passing out on the nasty dance floors before being drug home ... where ever that may have been.

Now for those of you who don't know me all that well

Before you take a hankering of any bad ideas regarding my current lifestyle I would like to remind ya that all this lil' street education was a long time ago ... in a land far, far away.

I finally grew up musically and emotionally (well a lil' bit) but I know the beast is always at the door. Ya just gotta have a strong door.

Things are brighter now.

Alot brighter than they were then.

So no need to worry about falling back into my old habits and gettin' lost down on Summer Av or somewhere 'round South Memphis' ALKA club or Three the Hard Way Club.

If I did ... please don't come looking for me.

They don't take a likin' to too many white folk in there ... if they don't know 'em that is. Hey that's just the way some parts of Memphis is ... no offense. You can't change history for some folks. Well maybe if your "Rafford" ?

But not to worry

I am sure some of you folks are familiar with the old term "Once a junkie always a junkie" and I fight that line with much success a day at a time. Being a career musician I have of course been exposed to all the drugs and drink. Fun when your young, but you might say I got "sick n' tired of being sick n' tired".

But my personal shadows are always lurking and I find they are part of the very music which inspires me. In fact some of the very fabric of my co-songwriting. EXAMPLE: Rumblefish

or A Lil' SOUTH MEMPHIS Story

Once I was nearly arrested for working with a young black rapper called BIG MAN 'round 1995. We had broke from the session to grab some Barbacue and got pulled over on the way back.

Reason ? Not the food. Hell no ! Although try that place out some time.

Cop said the a blackman and a whiteman didn't look right driving through this part of Memphis town in my new limited edition T BIRD. Did he ever think maybe we were trying to patch up the bond the Booker T had so well ... before the shooting of DR King ?

Through Writing and Recordings ? Check out Hustle & Flow to catch the white man/blackman scene has it works Memphis style

Incidently the recordings came out kicking ass. Bigman took 'em and ya just might never know when ya will hear RINGO & THE RAPPERS ... better known by SOUTH MEMPHIS SLIM as ELMO DEE

But that's another story

For another time.

until then.

Beale Street is a lil' bit Disney but worth the ticket if only for sheer history of the blues alone

For those of you who wanna come to Memphis with visions of "Walking in Memphis" floating through your head with your feet ten feet offa Beale. Here are a few places I would recommend to make sure and catch.

Eat at the Blues City Cafe on Beale street.

The price is right "onna pricey" street and the (think DOES outside Greenville, MS) Tamales & Ribs & Steaks are damn good. You veggies can find something too ... but I ain't sure what it is. Just ask.

You can sometime find one of my friends and part-time road managers there.

MR. JW WHITTEN.

But see if ya talk to JW keep this in mind. He and I shared many a good time on the road but I ain't shit compared to his twenty year plus gig ... road managing the Killer, JERRY LEE LEWIS.

So say hello for me but keep in mind you are walking in the footsteps of legends when you step on the bricks of Beale.

.. The Killer in one of his least known promo pix

Once your in the Beale Street neighborhood. just well swing 'round the corner and find the CENTER FOR SOUTHERN FOLKLORE.

I at one time thanx to the good graces of QUEENBEE Ms Judy, helped manage this place. You will find there any info you could possibly desire regarding the history and culture of the South and some take homes that are incredible.

I ain't kiddin' one bit ... you music fiends wont believe it ! While your there ... ask Judy how to get to WILD BILLS ... a taste of music the way it outta be !

www.southernfolklore.com/

Now if ya are still around through the evening, I highly suggest visting the World famous legendary Poplar lounge. Where you will find every local picker playing. From my friend ALVIN'S Weekend JAM SESSIONS to the legendary Jim Dandy and Ricky from Black Oak Arkansas (most Wednesday nights)doing their acoustic set.

Yes Jim kicks ass on acoustic. Listen to the "LAST DUTCHMANS' GOLDMINE" sometime from one BOA records !

Jim washing clothes in one of his blacker periods

If ya want a taste for something a lil' newer. A stones throw away from the aforementioned Handy Park ya can find the Omni theater.Where ya can take in the national acts, as well as some of the better up and coming locals while still enjoying the smell of Beale street.

I saw some of my closest kindred spirits pass through those doors on their way outta the Memphis grind and into the attention of the world music scene.

From old Angel running mates TORA TORA to the heavy drive of SALIVA or has I like to call em ... a mix between ole pals BLACKBONE and some teenagers I once knew called MODERN IMMATURITY with a few guitars players Durango and I worked with thrown in for good measure.

They're own brand of HUSTLE & FLOW

Course I could keep ramblin' about Memphis for days. I love the place.

Like I said, for me it is both a blessing and a curse, and once again I find myself stepping back into the Hustle. To put together a group of guys that ain't played together in years and make it flow. Sorry I couldn't leave that one alone.

The ever elusive Bobby Durango ... singer from RCA keeps a hide away there and it is home base for the Angels.

See there the problem (curse/blessing) lays ... these are not your straight lace, be on time, at the airports types to start with. These are real rockers from the street with a hunger to come back and take a bite. No matter the cost.

But given a Rock City rebirth, which is beginning to start brewing ever so nicely. I think it's worth the time to risk my personal fears in lue of the real thing, and see if the band can just rock a hard stage once more and bring joy to those who have waited, watched, and bought our new CDs for too long.

I'm thinkin' it's like the BLUES BROTHERS 1st movie The way the cats get back in the groove and in a way it is, but with things much more dangerous than A Star Wars Princess packing a weapon. No, there's another side of it

"THE DARK END of the STREET".

Some of you know what I talkin' about others ... just be happy you don't.

They say nothing worth really doing is ever easy.

I have always heard that anyway
But for some odd reason I think this session could be kickin' if we had some PAYNE'S BARB Q !

If you are so inclined see the movie HUSTLE & FLOW I think you will get a serious handle on this particular ramblin' of writin' I have layin' down today about the streets of Memphis.

PEACE

Thanx for droppin' in

JUKES

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RJ JUKES INTERNET OUTPOST

Blog Archive

THE BOYS FROM BUCKSNORT

It was Memphis ... 1987 and I am in a shower with a four track Tascam 244.

Boys from Bucksnort featuring MOUNTAIN MAN MOON MARTIN

A lil Story 'bout a boy in Memphis

MEMPHIS