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recordings of Aleister Crowley !
I have an interest in Crowley not because I am a follower of his beliefs and systems, but more so because as a young man I was intrigued with his effect on our society/culture and the moniker of "The Wickedest man Alive "
He was a brilliant chess player, an experienced (if unorthodox) mountaineer, a passable poet, author, and master occultist.
Many folks shy away from discussing Crowley. The latter part of his life--full of excess and dark magic--overshadows his initial work with positive energies in an established ceremonial society.
For me just starting my rock n roll career in Hollywood it seemed he was one of the ultimate rebels of the past .
I
first came across these recordings while I was living in LONDON's Kings
X area ... very interesting.
Do what thou wilt shall be the whole of the Law.
ABOUT: Crowley
Edward Alexander (Aleister) Crowley [rhymes with "holy"] was born October 12, 1875 in Leamington Spa, England. His parents were members of the Plymouth Brethren, a strict fundamentalist Christian sect. As a result, Aleister grew up with a thorough biblical education and an equally thorough disdain of Christianity.
He attended Trinity College at Cambridge University, leaving just before completing his degree. Shortly thereafter he was introduced to George Cecil Jones, who was a member of the Hermetic Order of the Golden Dawn. The Golden Dawn was an occult society led by S.L. MacGregor Mathers which taught magick, qabalah, alchemy, tarot, astrology, and other hermetic subjects. It had many notable members (including A. E. Waite, Dion Fortune, and W. B. Yeats), and its influence on the development of modern western occultism was profound.
Crowley was initiated into the Golden Dawn in 1898, and proceeded to climb up rapidly through the grades. But in 1900 the order was shattered by schism, and Crowley left England to travel extensively throughout the East. There he learned and practiced the mental and physical disciplines of yoga, supplementing his knowledge of western-style ritual magick with the methods of Oriental mysticism.
In 1903, Crowley married Rose Kelly, and they went to Egypt on their honeymoon. After returning to Cairo in early 1904, Rose (who until this point had shown no interest or familiarity with the occult) began entering trance states and insisting to her husband that the god Horus was trying to contact him. As a test, Crowley took Rose to the Boulak Museum and asked her to point out Horus to him. She passed several well-known images of the god and led Aleister straight to a painted wooden funerary stele from the 26th dynasty, depicting Horus receiving a sacrifice from the deceased, a priest named Ankh-f-n-khonsu. Crowley was especially impressed by the fact that this piece was numbered 666 by the museum, a number with which he had identified since childhood.
The upshot was that he began to listen to Rose, and at her direction, on three successive days beginning April 8, 1904, he entered his chamber at noon and wrote down what he heard dictated from a shadowy presence behind him. The result was the three chapters of verse known as Liber AL vel Legis, or The Book of the Law. This book heralded the dawning of the new aeon of Horus, which would be governed by the Law of Thelema. “Thelema” is a Greek word meaning “will”, and the Law of Thelema is often stated as: “Do what thou wilt”. As the prophet of this new aeon, Crowley spent the rest of his life working to develop and establish Thelemic philosophy.
In 1906 Crowley rejoined George Cecil Jones in England, where they set about the task of creating a magical order to continue where the Golden Dawn had left off. They called this order the A.’. A.’. (Astrum Argentium or Silver Star), and it became the primary vehicle for the transmission of Crowley’s mystical and magical training system based on the principles of Thelema.
Then in 1910 Crowley was contacted by Theodore Reuss, the head of an organization based in Germany called the Ordo Templi Orientis (O.T.O.). This group of high-ranking Freemasons claimed to have discovered the supreme secret of practical magick, which was taught in its highest degrees. Apparently Crowley agreed, becoming a member of O.T.O. and eventually taking over as head of the order when Reuss suffered a stroke in 1921. Crowley reformulated the rites of the O.T.O. to conform them to the Law of Thelema, and vested the organization with its main purpose of establishing Thelema in the world. The order also became independent of Freemasonry (although still based on the same patterns) and opened its membership to women and men who were not masons.
Aleister Crowley died in Hastings, England on December 1, 1947. However, his legacy lives on in the Law of Thelema which he brought to mankind (along with dozens of books and writings on magick and other mystical subjects), and in the orders A.’. A.’. and O.T.O. which continue to advance the principles of Thelema to this day.
Love is the law, love under will.
Sounds rather like the rockstar mentality in that culture in the late 60's and early 70's ... does it not ?
Crowley was also a recreational drug experimenter and social critic. In many of these roles he "was in revolt against the moral and religious values of his time", espousing a form of libertinism based upon the rule of "Do What Thou Wilt". Because of this, he gained widespread notoriety during his lifetime, and was denounced in the popular press of the day as "the wickedest man in the world." Alongside his esoteric activities, he was an avid chess player, mountaineer, poet and playwright, and it has also been alleged that he was a spy for the British government.
Crowley has remained an influential figure right up till this day, and in 2002, a BBC poll described him as being the seventy-third greatest Briton of all time. References to him can be found in the works of numerous writers, musicians and filmmakers, and he has also been cited as a key influence on many later esoteric groups and individuals, including Kenneth Grant, Gerald Gardner and, to some degree, Austin Osman Spare.
The first Europeans ever to attempt to climb K2.
Crowley, here bearded, is the third from the left on the upper row.
Crowley was a habitual drug user and also maintained a meticulous record of his drug-induced experiences with opium, cocaine, hashish, cannabis, alcohol, ether, mescaline, morphine, and heroin. Allan Bennett, Crowley's mentor, was said to have "instructed Crowley in the magical use of drugs."
The Cairo revelation from Aiwass/Aiwaz specifically recommended indulgence in "strange drugs". While in Paris during the 1920s, Crowley experimented with psychedelic substances, specifically Anhalonium lewinii, an obsolete scientific name for the mescaline-bearing cactus peyote and initiated the writers Katherine Mansfield and Theodore Dreiser in its use. In October 1930, Crowley dined with Aldous Huxley in Berlin, and to this day rumours persist that he introduced Huxley to peyote on that occasion.
This book is for sale in the ONLINE BOOKSTORE
My personal interest in Crowley stems from his effect on our Popular culture to this day !
Fictionalised accounts of Crowley or characters based upon him have been included in a number of literary works, published both during his life and after. The writer W. Somerset Maugham used him as the model for the character in his novel The Magician, published in 1908. Whilst recognising this plagiarism, Crowley was flattered by Maugham's fictionalised depiction of himself, stating that "he had done more than justice to the qualities of which I was proud... The Magician was, in fact, an appreciation of my genius such as I had never dreamed of inspiring." Similarly, in Dennis Wheatley's popular thriller The Devil Rides Out, the Satanic cult leader Mocata is inspired by Crowley, and in turn the deceased Satanist Adrian Marcato referred to in Ira Levin's Rosemary's Baby is likewise a Crowley-like figure. Long after his death Crowley was still being used for similar purposes, appearing as a main character in Robert Anton Wilson's 1981 novel Masks of the Illuminati. Meanwhile, the acclaimed comic book author Alan Moore, himself a practitioner of ceremonial magic, has also included Crowley in several of his works. In Moore's From Hell, he appears in a cameo as a young boy declaring that magic is real, whilst in the series Promethea he appears several times existing in a realm of the imagination called the Immateria. Moore has also discussed Crowley's associations with the Highbury area of London in his recorded magical working, The Highbury Working. Other comic book writers have also made use of him, with Pat Mills and Olivier Ledroit portraying him as a reincarnated vampire in their series Requiem Chevalier Vampire. Crowley also is referenced in the Batman comic Arkham Asylum: A Serious House on Serious Earth where the character Amadeus Arkham meets with him, discuss the symbolism of Egyptian tarot, and they play chess. He has also appeared in Japanese manga, such as D.Gray-Man and To aru majutsu no index, as well as the hentai series Bible Black, where he has a fictional daughter named Jody Crowley who continues her father's search for the Scarlet Woman. He is also depicted in the Original PlayStation game "Nightmare Creatures" as a powerful demonic resurrection of himself.
Here's an interesting theory ...
Crowley has been an influence for a string of popular musicians throughout the 20th century. The hugely popular band The Beatles included him as one of the many figures on the cover sleeve of their 1967 album Sgt. Pepper's Lonely Hearts Club Band, where he is situated between Sri Yukteswar Giri and Mae West. A more intent interest in Crowley was held by Jimmy Page, the guitarist and co-founder of 1970s rock band Led Zeppelin. Despite not describing himself as a Thelemite or being a member of the Ordo Templi Orientis, Page was still fascinated by Crowley, and owned some of his clothing, manuscripts and ritual objects, and during the 1970s bought Boleskine House, which also appears in the band's movie The Song Remains the Same. The later rock musician Ozzy Osbourne released a song titled "Mr. Crowley" on his solo album Blizzard of Ozz, whilst a comparison of Crowley and Osbourne in the context of their media portrayals can be found in the Journal of Religion and Popular Culture.[159]
Crowley has also had an influence in cinema; in particular, he was a major influence and inspiration to the work on the radical avant garde underground film-maker Kenneth Anger, especially his Magick Lantern Cycle series of works. One of Anger's works is a film of Crowley's paintings, and in 2009 he gave a lecture on the subject of Crowley. Bruce Dickinson, singer with Iron Maiden, wrote the screenplay of Chemical Wedding (released in America on DVD as Crowley),[161] which features Simon Callow as Oliver Haddo, the name taken from the Magician-villain character in the Somerset Maugham book "The Magician", who was in turn inspired by Maugham's meeting with Crowley[162]
The Italian historian of esotericism Giordano Berti, in his book Tarocchi Aleister Crowley (1998) quotes a number of literary works and films inspired by Crowley's life and legends. Some of the films are The Magician (1926) by Rex Ingram, based upon the eponymous book written by William Somerset Maugham (1908); Night of the Demon (1957) by Jacques Tourneur, based on the story "Casting the Runes" by M. R. James; and The Devils Rides Out (1968) by Terence Fisher, from the eponymous thriller by Dennis Wheatley. Also: "Dance To The Music of Time" by Anthony Powell, "Black Easter" by James Blish, and "The Winged Bull" by Dion Fortune
Coming soon to this site: My personal conversation with JIMMY PAGE about CROWLEY
... during my 1988 tour with Mr Page 
Crowley died at Netherwood on 1 December 1947 at the age of 72. According to one biographer the cause of death was a respiratory infection. He had become addicted to heroin after being prescribed morphine for his asthma and bronchitis many years earlier. He and his last doctor died within 24 hours of each other; newspapers would claim, in differing accounts, that Dr. Thomson had refused to continue his opiate prescription and that Crowley had put a curse on him.
Magick
Magick is "any act designed to cause intentional change. This term is often spelled with a terminal "k" to differentiate it from other practices, such as "stage magic"". "Aleister Crowley saw magick as the essential method for a person to reach true understanding of the self and to act according to one's True Will" Many people believed that Bree's ritual was going to involve a fictitious ceremony drawn in part at least from one of Crowleys real ceremonies.
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Now the about recording you are about to hear
Actual Magick Ritual Recordings
The Beast speaks from the grave
My personal observations: They probably weren't recorded on "wax cylinder": They were recorded - mostly at HMV in London - onto "transcription disk", similar to old 78s but etched in metal.
They weren't recorded in "1910-1914": The first was recorded around 1936 and the last probably around 1942. The sessions are mentioned in his diaries.
They were released many years later on vinyl, sold in the late 70s or early 80s through the Sorcerer's Apprentice in Leeds, and again on vinyl as the "Hastings Archive". In addition, "La Gitana" and "The Pentagram" (in good quality reproductions) were included as the B-side to "Scarlet Woman" by Chakra, also on vinyl (45 rpm).
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or 
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